On the afternoon of November 8, a high-quality development and exchange event under the theme “Connecting Global Data · Cultural Convergence in Zhejiang” was held in Tongxiang Wuzhen. At this gathering focused on online novels dramas and games,one special guest drew attention—Muhammad Umair, partner of Jiaxing Meer Trade Co. from Pakistan. With eight years of life experience in China, he led the audience on a journey of exploration enriched by international cultural insight.

Following Umair’s steps, we experienced the vitality of online literature beyond the printed page; felt the resonance of youth memories in replicated web-drama scenes; and immersed ourselves in the visual impact of Eastern aesthetics in the gaming world of Black Myth: Wukong. He praised sincerely: “These stories are no longer just read—they are lived.”

At the forum of ideas, Umair listened to industry leaders share cutting-edge insights into culture going overseas—from the global surge in short-form dramas, to contemporary expressions of traditional stories, to the perfect fusion of technology and creativity. When he raised his thumb in Wuzhen, it signified more than personal affirmation—it was a vivid footnote to the rise of a new wave of Chinese cultural influence coursing into the world. This deep dialogue between digital innovation and humanistic culture is redefining the global narrative of Chinese culture in bold new form.

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